-
This is probably interesting only to me, but whatever.
So one of my favourite elements of White Collar--and also one of the elements that make it meaningful to me--is its implicit championing of knowledge of art and art history (as well as history-history and literature). I intend to write about that further and at length. Now, though, I would just like to note this ( Read more... ) -
I still want to learn how to pick locks, though. Shhh; don't tell anyone.
A friend just told me about this:
Key to the City: About the Project (Creative Time).
Key to the City: About the Artist (Creative Time).
Key to the City: Open a Lock (Creative Time).
Unlocking New York, One Date at a Time (The New York Times).
Unlocking New York: These Keys Actually Work (NPR ( Read more... ) -
Perhaps it's time to make a return visit?
Via various:
Guggenheim embraces YouTube video project (Reuters).
Guggenheim and YouTube Seek Budding Video Artists (The New York Times).
YouTube in the Guggenheim? Go For It! (New York Magazine).
All that comes to mind at the moment is !!!Which is to say, this could be pretty interesting. I'd love to find out the criteria for the judging ( Read more... ) -
Oh, reality TV.
Via Jezebel:
Bravo's New Insta-Art Competition Is Not the Death of Culture.
I don't do reality television in the general case, so I'm not going to be watching this (except for, perhaps, the 'best bits' versions via YouTube), but I agree with one of the Jezebel comments in that I really, really want to hear from the people at the Brooklyn Museum ( Read more... ) -
'White Collar Comes Clean' at the Paley Centre, NY (7 June 2010) - Report
Hwæt. So.
I attended the White Collar panel at the Paley Centre in NYC on Monday, 7 June 2010. And it was wonderful!
(There are a small number of comprehensive event reports already posted in various locations, so I'm going to focus on my personal highlights.)
It's going to get prolix in here, guys.
( Telling the Tale; Tightening Up; The Con; The Blow-Off )